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Tiananman Square

Tiananmen Square (Simplified Chinese: 天安门广场; Traditional Chinese: 天安門廣場; Pinyin: Tiān'ānmén Guǎngchǎng) is the large plaza near the center of Beijing, China, named after the Tiananmen (literally, Gate of Heavenly Peace) which sits to its north, separating it from the Forbidden City. It has great cultural significance as a symbol because it was the site of several key events in Chinese history (See below: Events). Outside of China, the square is widely known for the Tiananmen Square protests of 1989.

The square is 880 meters south to north and 500 meters east to west, a total area of 440,000 square meters, which makes it the largest open-urban square in the world.

The Tiananmen was built in 1417 in the Ming Dynasty. In 1699 (early Qing Dynasty), the Tiananmen was renovated and renamed to its present form. During the Ming and Qing eras, there was no public square at Tiananmen, and instead the area was filled with offices for imperial ministries. These were badly damaged during the Boxer Rebellion and the area was cleared to produce the beginning of Tiananmen Square.

Near the centre of today's square, close to the site of the Mao Zedong Mausoleum, once stood one of the most important gates of Beijing. This gate was known as the "Great Ming Gate" (大明门) during the Ming Dynasty, "Great Qing Gate" (大清门) during the Qing Dynasty, and "Gate of China" (中华门) during the Republic of China era. Unlike the other gates in Beijing, such as the Tiananmen and the Qianmen, this was a purely ceremonial gateway, with three arches but no ramparts, similar in style to the ceremonial gateways found in the Ming Dynasty Tombs. This gate had a special status as the "Gate of the Nation", as can be seen from its successive names. It normally remained closed, except when the Emperor passed through. Commoner traffic were diverted to two side gates at the northern and eastern ends of today's square, respectively. Because of this diversion in traffic, a busy marketplace, called Chessgrid Streets (棋盘街) developed in the big, fenced square to the south of this gate.

In the early 1950s, the Gate of China (as it was then known) was demolished along with the Chessgrid Streets to the south, completing the expansion of Tiananmen Square to (approximately) its current size.

An Official Olympic Countdown Clock

Monument to the People's Heroes

On the pedestal of the tablet there are eight huge carvings covering the revolutionary episodes of China.

Masuoleum of Mao Zedong

Great Hall of the People is the parliament building in China

 

Imperial Palace (Forbidden City)

The Forbidden City was the Chinese Imperial palace from the mid-Ming Dynasty to the end of the Qing Dynasty. It is located in the middle of Beijing, China. It now houses the Palace Museum.

The complex consists of 800 buildings with 8,886 rooms. Its extensive grounds cover 720,000 square meters. The Forbidden City was declared a World Heritage Site in 1987 as the "Imperial Palace of the Ming and Qing Dynasties", and is listed by UNESCO as the largest collection of preserved ancient wooden structures in the world.

The Forbidden City is known by many names. The name by which the site is most commonly known in English, "the Forbidden City," is a translation of the Chinese name Zijin Cheng (Chinese: 紫禁城; Hanyu Pinyin: Zǐjinchéng; literally "Purple Forbidden City"). Another English name of similar origin is "Forbidden Palace". In the Manchu language it is called Dabkūri dorgi hoton, which literally means the "Layered Inner City."

The name "Zijin Cheng" is a name imbued with significance on many levels. Zi, or "Purple", refers to the Polar Star, which in ancient China was called the Ziwei Star, and in traditional Chinese astrology was the abode of the Celestial Emperor. The surrounding celestrial region, the Ziwei Enclosure (Chinese: 紫微垣; Hanyu Pinyin: Zǐwēiyuán), was the realm of the Celestial Emperor and his family. The Forbidden City, as the residence of the terrestrial emperor, was its earthly counterpart. Jin, or "Forbidden", referred to the fact that no-one could enter or leave the palace without the emperor's permission. Cheng means a walled city.

Today, the site is most commonly known in Chinese as Gugong (故宫), which means the "Former Palace." The museum which is based in these buildings is known as the "Palace Museum" (Chinese: 故宫博物院; Hanyu Pinyin: Gùgōng Bówùyùan), although the museum also has charge over some surrounding properties.

The site where the Forbidden City stands today was part of the Imperial city during the Mongol Yuan Dynasty. When the Ming Dynasty succeeded it, the first emperor, Hongwu Emperor, moved the capital from Beijing in the north to Nanjing in the south, and in 1369 ordered that the Mongol palaces be razed. His son, Zhu Di, was created Prince of Yan with his seat in Beijing. A princely palace was built near the site. In 1402, Zhu Di usurped the throne and became the Yongle Emperor. Soon after, he made Beijing a secondary capital of the Ming empire, and construction of the palace that would become the Forbidden City started in 1406.

Construction of the palace took fourteen years and an estimated 200,000 men. For the pillars of the most important halls, Zhu Di ordered whole logs of precious Phoebe zhennan wood (Chinese: 楠木; Hanyu Pinyin: nánmù) found in the jungles of south-western China. Such a feat would never be repeated, and the great pillars seen today were re-built in the Qing Dynasty using multiple pieces of pinewood. For the grand terraces and large stone carvings, stone was sourced from quarries near Beijing. The scale of the palaces meant that larger pieces could not be transported by conventional means. Instead, wells were dug at regular intervals along the way as a source for water that was poured onto the road in deep winter to form a layer of ice, with the stones dragged along the ice.

The floors of major halls were paved with "golden bricks" (Chinese: 金砖; Hanyu Pinyin: jīnzhuān), specially baked bricks with clay from six counties of Suzhou prefecture (around present-day Shanghai). Each batch takes months to bake, and the resulting brick is perfectly smooth, and rings with a metallic sound. Most of the interior pavings seen today are still 600-year-old originals.

The principal axis of the new palace sits to the east of the Yuan Dynasty palace, a design intended to place the Yuan palace in the western or "kill" position in fengshui principles. Soil excavated during construction of the moat was piled up to the north of the palace to create an artificial hill, the Jingshan hill.

The Tian'anmen gate marking the entrance to the Imperial City.

Mao Zedong's potrait at the Tian'anmen gate, there are two potraits that are switched out every year to be refreshed.

The color yellow is an imperial color and adorns the roofs of the Imperial Palace.

These figures are placed on the corners of roofs, the more characters the higher class. The Imperial Palace had the most of any roof we saw.

This was a building where the emperor would rest and prepare himself before addressing his armies and political leaders.

These basins were all over the Palace and were filled with water. When Beijing was invaded horses chewed the gold plating off of these basins.

The largest single piece stone carving in the Imperial Palace.

The empress wedding garments showing the dragon (male) and phoenix (female).

The Northwest watchtower of the Imperial Palace.

 

Hutong Tour

Hutongs (Simplified Chinese: 胡同; Traditional Chinese: 衚衕; Pinyin: hútòng) are narrow streets or alleys, most commonly associated with Beijing, China.

The word hutong comes from the Mongolian hottog meaning "water well." During the growth of towns and cities, wells dug by villagers formed the centres of new communities.

In Beijing, hutongs are alleys formed by lines of siheyuan, traditional courtyard residences. Many neighbourhoods were formed by joining one siheyuan to another to form a hutong, and then joining one hutong to another. The word hutong is also used to refer to such neighbourhoods.

In old China, streets and lanes were defined by width. Hutongs were lanes no wider than 9 metres. Many are smaller; Beijing hutongs range in width from 10 metres down to only 40 centimetres.

Since the mid-20th century, the number of Beijing hutongs has dropped dramatically as they are demolished to make way for new roads and buildings. More recently, some hutongs have been designated as protected areas in an attempt to preserve this aspect of Chinese cultural history.

During China’s dynastic period, emperors planned the city of Beijing and arranged the residential areas according to the etiquette systems of the Zhou Dynasty (1027 - 256 BC). At the center was the Forbidden City, surrounded in concentric circles by the Inner City and Outer City. Citizens of higher social status were permitted to live closer to the center of the circles.

Aristocrats lived to the east and west of the imperial palace. The large siheyuan of these high-ranking officials and wealthy merchants often featured beautifully carved and painted roof beams and pillars and carefully landscaped gardens. The hutongs they formed were orderly, lined by spacious homes and walled gardens. Farther from the palace, and to its north and south, were the commoners, merchants, artisans and laborers. Their siheyuan were far smaller in scale and simpler in design and decoration, and the hutongs were narrower.

Nearly all siheyuan had their main buildings and gates facing south for better lighting; thus a majority of hutongs run from east to west. Between the main hutongs, many tiny lanes ran north and south for convenient passage.

At the turn of the 20th century, the Qing court was disintegrating as China’s dynastic era came to an end. The traditional arrangement of hutongs was also affected. Many new hutongs, built haphazardly and with no apparent plan, began to appear on the outskirts of the old city while the old ones lost their former neat appearance. The social stratification of the residents also began to evaporate, reflecting the collapse of the feudal system.

During the period of the Republic of China from 1911 to 1948, society was unstable, fraught with civil wars and repeated foreign invasions. Beijing deteriorated, and the conditions of the hutongs worsened. Siheyuan previously owned and occupied by a single family were subdivided and shared by many households, with additions tacked on as needed, built with whatever materials were available. The 978 hutongs listed in Qing Dynasty records swelled to 1,330 by 1949.

Following the founding of the People’s Republic of China in 1949, many of the old hutongs disappeared, replaced by the high rises and wide boulevards of today’s Beijing. Many citizens left the lanes where their families resided for generations, resettling in apartment buildings with modern amenities. In Xicheng District, for example, nearly 200 hutongs out of the 820 it held in 1949 have disappeared. The Beijing Municipal Construction Committee stated in 2004, some 250,000 square meters of old housing – 20,000 households – would be demolished in 2004.

However, many of Beijing’s ancient hutongs still stand, and a number of them have been designated protected areas. The older neighborhoods survive today, offering a glimpse of life in the capital city as it has been for generations.

In Beijing, the hutongs in the vicinity of the Bell Tower and Shichahai Lake are especially well preserved. Some are several hundred years old, and attracts tourists who tour the quarter in pedicabs.

Gulou, the drum tower of Beijing, is situated at the northern end of the central axis of the Inner City to the north of Di’ anmen Street. Originally built for musical reasons it was later used to announce the time and is now a tourist attraction.

The Drum Tower was built in 1272 during the reign of Kublai Khan, at which time it stood at the very heart of the Yuan capital Khanbaliq. At that time it was known as the Tower of Orderly Administration (Qizhenglou).

In 1420, under the Ming Emperor Yongle, the building was reconstructed to the east of the original site and in 1800 under the Qing Emperor Jiaqing, large-scale renovations were carried out. In 1924, the name of the building was changed to the Tower of Realizing Shamefulness (Mingchilou) and objects related to the Eight-Power Allied Forces’ invasion of Beijing and later the May 30 Massacre of 1925 were put on display. Nowadays, the upper story of the building serves as the People’s Cultural Hall of the East City District.

In the 1980s, after much repair, the Bell and Drum Towers were opened to tourists.

Walking up the steep stairs in the drum tower.

The view from the drum tower.

What Beijing looked like even 20 years ago, today these areas arond the drum and bell tower are protected as historical areas of Beijing.

The Bell Tower

This a description of the water clock in the next picture, pretty interesting.

This is a description of the clock in the next picture that uses small metal balls to tell time!

A drum for the emperor

The only original drum from the Drum Tower as most were destroyed when foreigners invaded Beijing.

The drum performance.

Going down the Drum Tower stairs.

The first picture of the back of our rickshaw driver's head!

Tiny narrow streets where people, bikes, rickshaws, and cars travel.

Going to eat lunch at a Chinese family's house!

Their front door.

Making dumplings.

Ashley did a good job.

I on the other hand made some very ...

flat dumplings!

Lanny showing us how to make them quickly!

Coke being served!

Our lunch and it was absolutely delicious and a wonderful experience.

Getting back to our rickshaws.

Taking an afternoon nap.

As were were trying to turn left onto a street there was a caravan of rickshaws going the other direction.

Resting after a long tour (or so that is my imagination).

A percelain gallery

Craftsmen

This is a pre-glaze pot before it has been heated.

This black ink is the ink that turns to blue after being fired in the kiln, look at the detail!

These ladies are painting post-glazed pots.

Before the kiln.

After the kiln.

 

Temple of Heaven

The Temple of Heaven, literally the Altar of Heaven (Traditional Chinese: 天壇; Simplified Chinese: 天坛; pinyin: Tiāntán; Manchu: Abkai mukdehun) is a complex of Taoist buildings situated in southeastern urban Beijing, in Xuanwu District. Construction of the complex began in 1420, and was thereafter visited by all subsequent Emperors of the Ming and Qing dynasties. It is regarded as the taoist temples , although the worship of Heaven, especially by the reigning monarch of the day, pre-dates Taoism.

The Temple grounds covers 2.73 km² of parkland, and comprises three main groups of constructions, all built according to strict philosophical requirements:

The Earthly Mount (圜丘坛) is the altar proper. It is an empty platform on three levels of marble stones, where the Emperor prayed for favorable weather; The House of Heavenly Lord (皇穹宇), a single-gabled circular building, built on a single level of marble stone base, where the altars were housed when not in use; The Hall of Prayer for Good Harvests (祈年殿), a magnificent triple-gabled circular building, built on three levels of marble stone base, where the Emperor prayed for good harvests.

In ancient China, the Emperor of China was regarded as the "Son of Heaven", who administered earthly matters on behalf of, and representing, heavenly authority. To be seen to be showing respect to the source of his authority, in the form of sacrifices to heaven, was extremely important. The temple was built for these ceremonies, mostly comprising prayers for good harvests.

Each winter solstice the Emperor and all his retinue would move through the city to encamp within the complex, wearing special robes and abstaining from eating meat; there the Emperor would personally pray to Heaven for good harvests. The ceremony had to be perfectly completed; it was widely held that the smallest of mistakes would constitute a bad omen for the whole nation in the coming year.

The Temple of Heaven is the grandest of the four great temples located in Beijing. The other prominent temples include the Temple of Sun in the east (日坛), the Temple of Earth in the north (地坛), and the Temple of Moon in the west (月坛).

According to Xinhua, in early 2005, the Temple of Heaven underwent a 47 million yuan (5.9 million USD) face-lift in preparation for the 2008 Beijing Summer Olympics and the restoration was completed on May 1st, 2006.

The Temple of Heaven was registered on the UNESCO World Heritage List in 1998.

Standing on the Circular Mound Altar looking at The Imperial Vault of Heaven

The Imperial Vault of Heaven

Chengzhen Gate with The Hall of Prayer for Good Harvests in the distance.

The corners of the buildings, if you notice fewer figures than in the Imperial Palace.

Going through the front gate.

The Hall of Prayer for Good Harvests

The Seven-Star Stones

Ashley under a large tree in the gardens.

 

Sericulture

Sericulture is the rearing of silkworms for the production of raw silk. Although there are several commercial species of silkworms, Bombyx mori is the most widely used and intensively studied. According to Chinese records, the discovery of silk production from B. mori occurred about 2700 BC. Today, China and Japan are the two main producers, together manufacturing more than 50% of the world production each year.

This is how they find the beginning of the silk strands from the silkworm sacks.

Eight stands are combined to form 1 silk thread, there is about a mile of silk in each sack.

Stretching the small little sack over a loom.

This is a piece of the silk that was stretched over loom in the previous picture ...

It is stretched to make the layers of a silk down comforter!

Ashley's turn!

She said it was harder than it looked!

Come on Ashley, pull!